Friday, 22 March 2019

The Thing From Another World (1951)

























This was a first time viewing for me and to my surprise we are introduced to some amazing opening credits with the title screen. Yes the title sequence for this movie is in fact exactly the same as the title sequence for John Carpenters 1982 movie (that 'slow-burning letters through the background' effect). That is because this 1951 original came up with the concept first and Carpenter homaged it in his version. Firstly, I never knew this and secondly the effect looks just as fantastic in this early 51 original.

So the story of this thriller was actually another surprise to me. By that I mean this movie doesn't actually follow the original novel (Who Goes There? by John W. Campbell), unlike John Carpenters remake which was more faithful. In this movie a team of scientists and military types are deployed from their Anchorage base in Alaska to check out a crash site at the North Pole. Once there they discover a UFO in the ice but accidentally destroy it. Luckily they also discover a frozen body too and take it back to their base for examination. Sometime later the body is accidentally thawed out and the alien is let loose. The alien proceeds to kill husky dogs and eventually people by draining them of their blood.

However, despite all this lead scientist Dr. Carrington wants the alien unharmed so he can communicate with it, whilst Air Force Captain Hendry wants to kill it. So its the usual struggle between science and the military. Is the alien misunderstood? Is it maybe scared and trying to defend itself? On one hand you have the scientist that would risk everyone's life to simply try and communicate and learn from the alien (noble but highly dangerous). And on the other, the military officer who simply wants to save his men and the scientists by shooting first and asking questions later (again noble but maybe gung-ho?). It's not quite as low and underhanded as the battle between Ellen Ripley and Carter Burke but there are similarities.


But as I was saying this movie doesn't follow the original source material. Firstly in this movie the alien drains the blood of its victims like a vampire. It feeds on blood. Secondly the alien itself is humanoid (very humanoid) and doesn't shape-shift at all. Obviously there were technical limitations with effects back in 1951 so the alien is unfortunately a man with some basic makeup on. He has some claws and a Herman Munster shaped head and that's about it. But most importantly, the alien has a cellular structure more akin to vegetation. In other words it's a humanoid plant...that feeds on blood? Well I guess that's not unheard of in the plant world, but still. The fact it's essentially a large plant (that looks like a human), that also makes it impervious to bullets which is handy because the humans fire a lot of bullets at it.

So none of the characters in this movie have the same name as the original source material. There is also a large number of characters in this movie making it hard to keep track or feel anything for any of them. The alien is nothing like the alien in the original source material. The plot is by and large totally different. And the alien is killed off in a completely different manner. So overall I was kinda disappointed with this.

Of course being a movie from 1951 there are lots of amusing bits and pieces that were typical of the time. The interior of the Anchorage base looked like the interior of a stately house with bookcases, posh desks, wood panelling etc...When the team accidentally destroy the crashed UFO nobody seems overly bothered! They act as if it was just one of those things, you know, an everyday mistake. Oops we just destroyed the first discovery of alien life on Earth with our explosives, ah well. The movie is hella slow with a load of dialog and pointless romantic crap between Hendry and the lone female character (Margaret Sheridan). The movie really takes time to get going and I found myself yearning for just something...anything to happen!

Alas when things do happen it's also pretty slow, pretty tame, and pretty disappointing when you learn the plot is nothing like the source material. The alien is also a massive disappointment visually but I guess it was better than a big rubbery alien on wires. I admit some of the effects and shots were done well. The sequence where the alien kills some huskie dogs was quite graphic (all things considered). The moment Carrington and co discover a dead drained Huskie stashed in a small compartment was quite shocking (again considering the films age). The fake dog was also quite effective looking too I might add. I'm sure that would have scared the pants off people back in the day. And the sequence where they torch the alien is pretty impressive because the stunt guy is really getting his ass torched! Looked like they almost set the whole set alight too!

So in the end the movie supports the military faction of the large character roster and we're led to cheer for killing the alien. Would Carrington and his fellow thinkers gotten somewhere by trying to communicate with the lifeform? Maybe, but seeing as the alien slapped Carrington to the floor when he tried to have a chat I guess maybe not. Remember this was 1951 America, you always trusted the good looking gruff guy in the US military uniform (and with a production company named after a rifle, Winchester, says it all really). But the fact they kinda portray Carrington as the bad guy is also somewhat frustrating. I mean come on, give this character a break, he's just trying to learn from the newly discovered alien lifeform.

But it's hard to get engaged with this one despite the fact it's known as a classic. Essentially the alien lifeform is a humanoid bloodsucking vegetable or plant. But really its nothing more than a vampire, kinda crappy really. It does show how John Carpenter really nailed his 82 version and how terrifying the alien lifeform could be. So overall what could have been a real cracker turns out to be another run of the mill 50's sci-fi basically. It doesn't really offer anything fresh or dynamic and kinda squanders the great source material.

5/10

1 comment:

  1. Winchester is Howard Hawks' middle name. I would not want to spend 5 minutes with the 1982 guys. The Thing (1951) created THE template for horror/suspense: isolate a small group and put them in danger. Bonus points if the people in danger are likeable and competent. Virgins and basement dwellers may not appreciate the witty adult dialogue and sexual tension but adults do. Technology in 1951 prevented a full adaptation but it introduced the Thing premise: this cannot be allowed near any populated area. Carpenter's remake was an airline barfbag full to overflowing. The characters in the 1982 remake hated each other and for good reason. I'd enjoy spending time with the 1951 guys. And that's the main reason to rewatch ANY .movie: you like hanging out with the cast.

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