Tuesday, 29 December 2020

Time After Time (1979)

It appears I have stumbled across another Twilight Zone-esque film. Once again this feels more like an extended episode of said show (or many similar shows) which isn't necessarily a bad thing but...it's hard to get away from thinking that. Twas directed by Star Trek's Nicholas Meyer though, one of his earlier offerings, which I found intriguing.

The Plot: It's pretty straight forward. Famous British science-fiction writer H.G. Wells has invented a time machine. Around the same time the notorious serial killer Jack the Ripper is on the loose in London. One evening as Wells entertains dinner guests police knock on the door. It appears the Ripper has struck again and might be in the vicinity. After some investigating it appears that one of Wells dinner guests could be the Ripper. But before you can say 'he's gonna escape in the time machine'...he escapes in the time machine. The Ripper sends himself into the distant future of 1979 and it now falls on Wells to go after him and bring him back to face justice. What follows is your typical out of time adventure as the British gentleman from 1893 must navigate San Francisco circa 1979 to find the hideous Victorian killer. 

Obviously despite the fact this film uses real historic people the story itself is completely fictional (duh). But I did like how Meyer fit this fantasy into a realistic timeline. I should quickly point out that Meyer's screenplay and this film is actually based on an actual book of the same name and year (1979). As I was saying, the film takes place in 1893, two years before Wells would actually write his famous time-travelling story in 1895. Thusly in this film Wells invents the time machine for real, has his chaotic adventure, and then follows it up by writing the story.

As for the chaotic time-travelling adventure, well it's a tad predictable and tame really. Wells is portrayed by a young Malcolm McDowell who, unfortunately, doesn't really pull it off in my opinion. For starters he doesn't really look the part with an obviously fake moustache, blonde hair, and he's far too slim both in stature and face. Secondly he comes across as a complete drip frankly, not that I know anything about the real Wells as a young man but McDowell's performance felt so soft and timid. On the other hand there are plenty of nice little touches from McDowell such as examining surfaces made out of new materials (to him). Trying to work out how to open a car door. Trying to understand the difference in 1979 speech patterns etc...I like that he struggled to get along for a time and had to sell bits and pieces of his attire to raise cash for food. That felt like people had actually thought about this instead of some stupid easy get-out clause (like him meeting a hot girl straight away who just takes him in and looks after him).




On the flip side the Ripper (David Warner) conveniently doesn't seem to have the same issues, that we see anyway. Maybe it's because he's the villain but things don't really seem to faze him as much. He seems more intent on continuing his killing streak in this new futuristic world. This was something that bugged me because why would he do that? I get that he's a psycho but he managed to escape from his murderous past and obvious eventual presumable capture and has given himself a fresh new start. Yet he gets straight back to killing again which would presumably land him right back in the same eventual outcome, capture and imprisonment. Many serial killers are supposed to be quite intelligent, apparently. Well this doesn't come across as a logical move to me, surely he'd be amazed by the future and wanting to discover more about that? I dunno.

Time travel is of course a very hard subject to tackle because who knows how one might react to a whole new world with new inventions. Especially from someone in our distant past because with basic things (to us now) like plastics, travel, architecture, communication etc...would be mind-blowing to them. It might not be too bad for people in our present going forward because we would be more likely to adapt to greater technology, maybe. 

Have to mention the casting of Mary Steenburgen as Wells love interest here. In all honesty her performance isn't exactly ground-breaking but it's the circumstance that's interesting. In this film she plays a 20th-century woman who falls in love with a man from the past and eventually follows him back in time. In 1990 Steenburgen played a character from the past who falls in love with a man from the future and eventually follows him into the future ('Back to the Future III').




There are many things in this film that are quite quaint these days. The main factor of course being the distant future being 1979, one year after I was born. This naturally makes everything incredibly dated to the point of hilarity whilst watching. The outfits David Warner wears in some scenes are priceless. The young girl wearing literal transparent trousers in front of Wells was bizarre as I've never seen that before myself. The fact that the US banks were happy to exchange British currency from the 1800's! Really?? All the cars and technology we see throughout the film. I also liked the obvious visual homage to the 1960's time machine with this film's time machine. Actually I thought this offering was better and had more of a sensible look really. This time machine actually had a little pod you sat in that would protect you from any possible dangerous effects of travelling through time. The fact the time machine in the old 1960's version was essentially an open sled always bugged me.

So anyway the film predictably moves along and we watch the Ripper kill various women only to eventually kidnap Wells love interest in order to obtain a special key from him. Said key is one of two special functions on the time machine. This key stops the machine from automatically going back to its time of origin, which would result in any time traveller being stranded. Without said key the machine won't go at all, I think. Not really sure why anyone would build this function into your machine. The same could be said for the second key. Apparently when you remove this important key it sends the time traveller hurtling into time and space and unable to be saved. This was something I still can't quite get my head around. I assume you have to be in the machine for this to work, but I don't get how the removal of this key sends you into oblivion. And again, why would you build this into your machine?? Seems dangerous.

Anywho overall this film is an enjoyable little time-travelling romp that any time-travelling TV series would be happy to showcase during its run. Admittedly this film would merely be seen as generic time-travelling filler for any TV series, I mean there's nothing ground-breaking here to be honest. It's a very simple story with a very simple outcome that could be retooled for any number of characters from any number of time periods. Think along the lines of 'Quantum Leap' I guess.

6.5/10

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