Thursday, 29 August 2013

When Dinosaurs Ruled the Earth (UK, 1970)

























The third film by Hammer revolving around cavemen and women and occasionally dinosaurs. Before this was the first and most well known film with Harryhausen effects...'One Million Years BC', then came the sordid sounding 'Slave Girls'.

I'm not overly sure why they made this film as its pretty much the same spiel as their first and best film 'One Million Years'. The plot is almost the same really, there is one tribe of caveblokes that are a bit sacrifice happy with their blondes and one tribe that are a bit more normal and haven't seen blonde haired women much it seems (yep blondes are a rare breed in these films). A sexy big breasted blonde escapes the nasty tribe and is found by the good tribe, there she falls in love with a cavebloke which upsets his other cavegirlfriend. The blonde is hounded and chased off but pursued by the nice cavebloke who loves her. All the while the bad cave tribe are also looking for the escaped blonde for some reason, all this leads to much death at the hands of dino's and a big tidal finale...for some reason.

That is the plot but like the other films in this series its kinda tricky to follow it as everyone speaks in genuine caveman grunts. Yep its that approach again which Hammer really seemed to like back then, lots of scantily clad women with big breasts and a nonsensical dialog of grunts. Well actually the primitive language is suppose to be made up of genuine ancient dialect's of Phoenician, Latin, and Sanskrit sources, so I guess its quite clever really. Problem is all we ever seem to hear is 'akita' 'yo kita' and 'neecro', I swear if I hear one more damn caveman/women say 'akita' I will flip!!.


For me this film is all about the dinosaurs, the plot is too similar, the acting is terrible and the dialog is annoying, only the big breasted cavewomen make it worth while. But the stop motion dinosaurs are awesomely done and actually look really good. The first thing I noticed was the movement on these models, its really really detailed and displays even the smallest skin movements. Sure they are a bit jerky when walking in full motion but their eyes and head movements are great, best example is the unknown dino that befriends 'Sanna' the blonde cavewoman.

There are some other nice creatures too including some quite evil looking giant crabs, a nice sea monster moment, a bulky Chasmosaurus and a man eating plant hehe. Unfortunately they do spoil things by using dino footage from 'One Million', even worse they use crappy footage of two real reptiles with stuck on fins/scales fighting, no no no no.

The films title is pretty cool, gets you interested and the idea is reasonable but they made 'One Million' four years prior so what was the point?. I just get the feeling they wanted to remake the Welch flick but with better dino effects. I'm not even sure which is better really, 'One Million' is more iconic of course but this has better model work and that's without Harryhausen!.

Really I can only recommend this for the excellent dino stop motion models, if you are a Harryhausen/dinosaur/giant creature fan then you will enjoy parts of this film. The rest is complete dross and highly boring, there I said it.

5/10









Tuesday, 27 August 2013

The Lost Continent (UK, 1968)















Based on a novel by Dennis Wheatley called 'Uncharted Seas' which kinda explains itself really. Yep once again we have another adventure which sees a group of people who are lost at sea and end up in some kind of twilight zone or dimension X where time stands still.

The plot is pretty common really and there seems to have been quite a few people write stories around this premise. This time the group of people on board the ship seem to be misfits of society or outcasts, people in trouble with the law etc...This is fine but unfortunately for most of the time you don't really care about them because they are all nasty to each other. Heck even the Captain acts all suspicious and grumpy for a lot of the time...and he's suppose to be the hero! A lot of attention is given to the characters though that's for sure, very deep backgrounds going on, lots of dark areas etc...Its just a shame they didn't really interest me personally, I wanted to see monsters damn it!

So due to carrying some rather dangerous explosive cargo and the fact most of the passengers can't go back to port in case some get nabbed by the police (most are in general trouble with various reasons), the ship continues into stormy weather. Low and behold something goes wrong, the ships hull is damaged putting the dangerous substance in jeopardy, AND there is a mutiny from the grunts below deck about the whole situation with the cargo. Thusly everyone eventually abandons ship after much arguing and scuffling.

Rather oddly the small group of people float their way back to their ship after some shark issues and carry on as planned. The only difference now is they are in some unknown uncharted area. This is mainly when the film kicks into gear and into weirdness. The uncharted area they drift into is full of skeleton ships, wrecks, the sea is covered in some deadly seaweed that strangles people to death and their is a mysterious island ahead. So the first half of the film was some kind of seabound 60's drama which was kinda dull, and now the second half turns into your typical Edgar Rice Burroughs type adventure into the unknown...but still looking very 60's

Its actually quite eerie and well directed, there is a nice sense of errr...mystery I guess as its not clear what the hell is going on (other than they are in some kind of twilight zone). Things take a turn for the surreal when a lone girl reaches the ship by walking across the seaweed covered sea surface using big paddles under her feet and two balloons attached to her shoulders presumably for balance. A very Terry Gilliam-esque look about it that idea.

Turns out she is Spanish and descended from people who got stuck in this weird place centuries ago (I presume?). There are also members of the Spanish Inquisition trapped in this place too, they are also descendants of people trapped eons before and the two groups fight each other in a religious war. The leader of the Spanish soldiers is a child and descendant of the Spanish Conquistadores...and a brat. I guess the hard thing to believe here is the fact these people have been fighting each other for all this time yet never once thought to stop and try escape from this bizarre dimension X type place. Also, what happened to everyone else from all the other ships??

Naturally fighting ensues between the Spanish and the folk off the ship. There is some monster action in here too with a Sarlacc type sea monster (hmm I wonder Mr Lucas, copy much?), a giant scorpion and a giant hermit crab but you hardly see much, no stop motion goodness, just big rubber models that wobble. The battle sequence on board the galleon is quite good, quite a lot of death and fire, the Spanish all look reasonable authentic and the galleon itself is OK, obvious set of course.

Its an odd film really, very strange in mood and story, the Spanish folk just seemed obscure, I was expecting battles with sea beasties. On the downside as I said before its also hard to get behind anyone in the film because they are all so unlikable. The cast are all pretty unknown to me which doesn't help (despite being a Hammer production) but admittedly the Captain (Eric Porter) is the clear winner in terms of performance.

I think the film is decent enough, it looks great for sure, production values must have been good. You can tell its all on sets but it still looks polished and well thought out, the mysterious uncharted sea also looks good with matte painting work and models. I just get the impression the original novel probably explains things in better detail and delves deeper, the film feels like it skimming over plot in places.

The films ending is open ended which is cool and again eerie as we never know what happens to these people. I'm unsure whether this is a good adaptation of the book or not, certainly seems well crafted and definitely enjoyable at times. Starts off very slow but gets more and more intriguing, bit of a hidden gem I would say, cult for sure, worth the watch but will probably split opinions.

6.5/10


Monday, 26 August 2013

The Game (1997)




















A forgotten Fincher gem to be sure, not exactly an original idea but superbly well made and directed by the cult creator. The plot has been seen before but it works well by playing on the paranoia and scares of everyday life, things that could go wrong if our lives fell apart before our eyes. The fear of losing everything, nowhere to turn, no one to trust, something that all working people can relate to.

Michael Douglas plays 'Nick Van Orton', a very rich Scrooge like character who cares little for anyone, lives like a king whilst playing the investment banker game. So yeah this could be 'Gordon Gecko' as an older man I guess, its very familiar. Upon receiving a giftcard type present from his brother for a 'game' company Orton proceeds ahead with the offer and discovers himself in a world of hurt.

The tension builds at a slow pace as small things start to happen to Orton, nothing much at first but slowly the situation gets worse and worse. It really is quite creepy and uncomfortable to watch as his job is threatened, his home and even the people he knows, the walls come crashing down around him and he's virtually powerless to stop it.

I guess you could say the film is bordering on identity theft of the highest order, with the acception that the main character agreed to everything. That's the itchy fact that sits on your mind the whole time, he agreed to it!! almost like a blackmail fetish. Sure he knew nothing about the company and what was on offer but the trust factor of his brother giving him the gift really adds to the mystery of it all.

But on the flip side this mystery is also slightly damning really. If you really think about it, would anyone really accept what this unknown company offers in the film? would you really go along with all those medical tests and mental tests that last all day and at the end of it sign your life away without a clue what will happen?! I bloody wouldn't!. This is the intrigue (or start of it) but also the main problem with the plot, no one would do that, especially someone like Van Orton with tonnes of money and a grand reputation to lose.

Even if you did agree to this bizarre mystery game, would this company really go as far as they do in the film?. Would a real company really be able to take everything away from you including your property, car, job, friends and family so easily?. Leaving you almost homeless with seemingly everybody against you, people double crossing you, even going as far as to try and kill you!!!, taking you to the point of near break down, suicide or murder...just for a game??...that's a gift!!.

I mean yeah sure the concept for the movie is thrilling but if you step back and look at it its totally insane really. Who could say Van Orton wouldn't blow his brains out very early on or actually kill someone?, on the other hand surely he could easily get around the game by simply going to his building that he owns. The mystery company has seemingly gotten to people, his property and his money but surely they wouldn't be able to get everyone in his own building in on the trick. He could of just walked in there at anytime, his name is on the entrance for pete's sake! did he forget he owned that building? it wouldn't have disappeared.

I must confess to not liking the ending either, it twists more than a helter skelter but instead of leaving you in awe it leaves you thinking Fincher went one step too far. It also feels way too convenient, as if they knew Orton would do what he did, just seems too impossible to predict.

Great colour palette by Fincher too I might add. Rich with dark tones, moody and dull, yet at times kinda faded or washed out, a bit noir-ish and every scene is full of detail. Some of the best visuals are seen when Douglas is relaxing in his luxurious wood panel study, very nice and probably not too far off Douglas' real home decor.

Douglas is also perfect as Orton (he knows how to play slimeballs), the cool, slick, cold business man who is reduced to a quivering wreck with anxiety overload. You can feel the sweat droplets running down your brow as you observe Douglas going through his nightmare, one of his best performances. Despite the over the top nature of the plot the film is a great thriller and succeeds in creating discomfort during the whole run time.

7/10

Saturday, 24 August 2013

Firestorm (1998)




















So ex-NFL player Howie Long got his big action man break in the Travolta thriller 'Broken Arrow' in 1996, this inevitably lead to his own specially made silly action vehicle. Although there are a few well known faces here simply to bolster the acting skills on show, its basically the Howie Long show yet he shows off no muscles throughout.

So four years ago the main villain stole four million Dollars and hid it deep within the forest. He now decides to break out of jail with some colleges during a big forest fire which one of his compadres on the outside started. Naturally a female is taken hostage and its up to the lone 'smokejumper' to save the day with his mighty axe.

The term 'smokejumper' is actually what they call these guys that are trained to jump from helicopters into fires to save people, its not me being sarcastic. But this is what's so funny about this film, right from the get go we are shown the banal camaraderie and makeup of the small team. These smokejumpers led by Long are your typical team of Hollywood characters, the attractive female, the mouthy young male, the wiser vet and Long who is the big butch guy. Only thing missing is the token black guy.

Luckily we don't have to put up with this A-Team type cliched machoism as the action centres on Long surviving in the wilderness against the bad guys. The bad guys are easily the more interesting bunch with William Forsythe as their homicidal leader. Gotta give credit to Forsythe as he always makes such a riveting nasty villain, his fierce chubby looks are just perfect the way he snarls and grimaces when he gets mad, and in this he just about kills anyone. Check the early performance for Barry Pepper as one of the bad guys.

The whole idea for this film is so thin really, its just an everyday action movie but its set within a huge forest fire. It just comes across as trying to make another field of US rescue workers out to be cool equipment wearing top guns. Of course Long uses all his trained boyscout methods to beat the bad guys whilst curiously never actually getting into any good fights, well not many.

I was gonna compare this to 'Backdraft' but its not really like that, that had some sense about it whilst this is complete violent nonsense. Despite that there are numerous visual moments which look pretty similar and its worth noting that Scott Glenn plays almost the same type of role in this as he does in 'Backdraft'.

The whole thing is predictable as hell and can't even come up with any decent visuals to help you along. Long is a weak leading man even though he has the look of one and things that happen along the way just raise questions, but its hardly a thinker, just dumb.

4/10

Broken Arrow (1996)




















One of the first US films for John Woo before he went on to make a whole load more using the same visual style everytime. The other noteable thing here is the curious combination of Travolta and Slater pairing off against each other.

Two best buds in the USAF are flying a B-3 Stealth Bomber with a deadly payload of nukes on board. Spoiler alert! Travolta goes rogue and turns on Slater dumping the nukes for his band of bad guys to pickup. Their plan? to sell the nukes to the highest bidder of course, dastardly!.

I remember when this came out it was deemed to be quite a slick action flick, hell I even went to the cinema to see it. This is the first time I've watched this since 1996 and I can firmly say it hasn't aged well. Yep its just your average explosion filled action thriller with your standard hero who saves the day and kills everyone with the aid of a feisty female sidekick.

The bad guys are your regular bunch of strapping blokes who mindlessly obey Travolta's insane commands, the main henchman being newbie Howie Long (film career didn't last long). All these guys are trigger happy, often dumb and get killed in very obvious set pieces you can see coming a mile away.

In fact the whole film is much like that really, it just looks like one of those special effects shows at Universal Studios where everything looks like a setup or an obvious set. There isn't really anything original in the whole film, the plot is standard issue, the bad guys are standard issue, all the important military/government official types are the standard issue grizzled old men, slimy cowards or nerds, dialog is hammy with all the regular dribble you'd expect to hear and its got lots of standard issue John Woo slow motion and face off camera angles.

Not even Travolta's semi fun bad guy can bring this film back from the dull zone. This was his first real baddie role after his career took off with 'Pulp Fiction' so his performance was definitely fresh and quite new for the actor. Its just a shame he's done the same thing now for so many other films since. As for Slater, well he doesn't really fit the profile for a leading man action hero, he's clearly not the type, he's not bad per say, he's just clearly not that type of guy simple. Even with Travolta being all camp he still looks like he can kick Slater's ass all over.

A terrific film title, intriguing cast and thumping film poster still can't alter the fact this film is dull dull dull. It doesn't even look that good really, there is one stunt where Long gets booted off a train going over a very high bridge which is pretty impressive, but that's totally it. The drab looking location doesn't really help either, its all yellow dusty desert terrain everywhzzzzzzzz. If anything can be called 'by the numbers' its this film right here, weak stuff.

3/10

Friday, 23 August 2013

Speed 2: Cruise Control (1997)





















'Die Hard on a bus' and now...yep you guessed it 'Die Hard on a boat', well cruise liner. I guess the first thing that instantly jumps out at you here is the fact the film is called Speed 2 but its on a slow moving cruiser liner! Hardly speed is it, more like err...cruising, I get the feeling they just wanted to use a cruise ship so they could use their highly imaginative tag of 'cruise control'.

Seriously I've read into this and there were some really decent ideas for a follow up. Nothing original of course, they all copied the exact same premise as the original but at least they could offer up some more thrills than a cruise liner. One plot involved a plane that couldn't ascend above 10,000 feet whilst flying through some mountains, kinda daft but sounds better right?

So this basically really absolutely is a complete 'Die Hard' rip off, it really is. Recently fired crazy ass Dafoe wants revenge on the company (ships computer systems) that wrongfully terminated him because he was ill. So he decides to sabotage one of his own computer systems on board a large expensive cruise liner and steer it into a disaster whilst pinching all the valuables on board. Again at the end of the day he's just after some jewellery, weak. Its pretty much 'Die Hard/Under Siege' with more comedy and way way less blood and violence, actually check that, there is hardly any blood and violence in this, its bordering on PG territory.

Bullock's character has dumped Jack Traven from the first much better film and now she's with the receding hair line of Jason Patric. I guess what's so dumb about this film is firstly Patric just doesn't come across as the hero type, oh sure he's leaping around and trying to be action man every five minutes but the guy just looks anything but. I know heroes don't have to be muscle bound macho men with good hair but Patric? really?? this guy is the wrong kind of actor for a role like this. The other thing that bugs you is the fact his character is such a fudging goodie goodie and always trying to save everyone. Even on board this cruise liner which he knows nothing about, doesn't have a clue where to go and basically shouldn't be poking his nose into anything, he still goes around barking orders at the crew! and they obey him!!! as if!!! in reality they'd tell him to flip off.

Bullock is completely sidelined to virtually a cameo really, she does nothing at all other than offer up terrible dialog attempting to be comic relief. She's even more annoying than in the first film and even more wet (situation aside), in fact the badly portrayed passengers are not as annoying as Bullock. Then you have Dafoe as the villain, well I say villain but he isn't really that evil, he merely switches off all the electrics and gets everybody to evacuate. Would stuff on a ship tend to blow up and cause so much destruction when the electrics go down? seems odd.

Funny thing is if everybody had just gotten off as he demanded in the first place, none of the ensuing mess would of occured!...well almost.

I realise Dafoe's baddie character knows the ship inside out and can control whatever he likes but you always get the feeling he's not much of a challenge. Time and again it seems like he could of been caught plus he also comes across as someone Bullock could beat in a fight. His plan also seems very over indulgent simply for stealing some jewels, takes him half the film to get it set up yet takes him fives minutes to do the deed. He then messes around for no real reason when he could of just gotten away no problem, all this kinda makes the action sequences seem unnecessary and forced.

The film is way more goofy than the first and hardly feels like a real action film at all. There is way too much stupid comedy and idiotic dialog...oh and some awful reoccurring character cameos from the first film which almost make the film into a parody. Even Dafoe's baddie isn't immune to the ridiculous daftness, he contributes with various silly faces to exaggerate the heat of the moment.

The film does look pretty good I can't deny, the ship interiors, exteriors and various CGI shots are nicely done. This all comes to a head in the finale where De Bont takes the opportunity to destroy half a port town by ramming the cruise liner into it purely to show off lots of destruction and fancy effects/models. Even that doesn't really work though because of the awful comic relief which ruins any real tension. This is the films fault all the way through, you never at any point feel nervous or tense despite the fact you're watching an action film about a hijacking. The whole thing is totally juvenile and not in the least bit exciting, and no sticking Patric on a cool motorbike chase sequence at the start doesn't make him look any cooler, just more out of place.

2.5/10

Thursday, 22 August 2013

Speed (1994)
















Well I think 'Under Siege' kick started the term 'Die Hard on a...' back in 1992, then along came this massive action film rollercoaster success in 1994 which coined the highly imaginative term 'Die Hard on a bus'. Holy skidmarks! this film brought back some memories of my teens, I remember this film well and the huge furore it caused, all the girls were banging on about Reeves and all the boys were banging on about Bullock.

The plot is actually quite ingenious really, it sounds insane, how on earth can you set an action film on a bus? we all asked backed in the day. Well obviously there are bits that aren't within the bus of course but the main threat of a bus that can't go below 50mph is a clever plot trick. That's pretty much it really, a bus load of stereotypical everyday commuters are all trapped on a bus which has a bomb underneath. Super cop Keanu Reeves takes on the job of saving the day from the terrorist Dennis Hopper. And at the end of the ride just like Hans Gruber, all the bad guy wants is some money.

Looking back at this its so so damn cheesy I can't believe it, how did we all think this was cool?! The opening credits are some of the worse looking computer effects/text images I've seen, obviously early days back then and boy does it show when 'SPEED' pops up. I mean lets think about this for one moment, how can anyone take an action flick seriously when one of the SWAT guys is played by...Jeff Daniels??!

The main action on the bus which takes up most of the film is undeniably enjoyable still. The whole idea is such a rush and easily translated to film, sure half the time the bus is clearly not going at 50mph (usually much slower) but it still comes across very well. You get every predictable scene you would naturally expect, the film isn't the most original in terms of characters. All the passengers fight amongst themselves, one is a gang member with a gun who of course shoots the bus driver which mean Bullock must drive. One lady is always panicky and slightly hysterical, one guy is mouthy, one guy delivers some comedic lines every now and then, there's a token black couple, a token Latino guy and Reeves of course totally stony faced and stoic at all times.

For the most part the film is quite realistic, but there are some moments which they could of left out. The bus jumping a big gap in an unfinished highway springs to mind which is easily the worse idea ever. The way they let the bomb loaded bus careen into an oncoming airliner once everybody is safely off, surely they should of tried to veer it somewhere so it wouldn't cause massive damage? Of course we all know the reason is merely to show off a nice big explosion at the end, despite the fact in the films plot it may have caused more deaths. What about the guy pulling the plane in his little tug truck??...who cares its a cool explosion!

While we all know that Reeves is the invincible turbo charged heroic cop who never gets tired or injured, he is acceptable for what he is. Bullock on the other hand is not, at no time did I ever accept the fact she could be driving this bus, there's just no way. Bullock is an annoying wet drip of a woman and shows it completely in this film, she flaps, squeals and rarely looks in control. They wouldn't have lasted five minutes in reality with her driving.

On the other hand Hopper is clearly having a blast as this pissed off ex-cop out for revenge. He's dodging around scowling and howling like no ones business, he goes for broke and totally delivers a perfect hammy over the top bad guy. This film really is amusing at times though, like in the finale when Reeves and Hopper are fighting. This young, tough, adrenaline filled ultra cop getting his ass beaten by clearly a late middle aged man who is half his size and can barely run.

The film does tend to lose its edge once the main event of the bomb rigged bus has been solved. The set pieces get more and more ridiculous until we reach the rather overly ridiculous finale with the underground train, which is clearly a model. The film in parts is plain stupid, comic relief from various characters along the way is reasonable I suppose but it all adds to the cheese n ham factor, kinda takes the edge off at times. But overall the film doesn't try to be anything other than a speeding bullet of an action flick that you don't really have to look too deep into. And not often does an action films title sum up the general content so perfectly. Still nowhere near on par with the classic 'Die Hard' but a decent rare original action film.

6/10